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Crack of the Tin v10_lyrics new
10
Artist:Cawen
Duration:5:17
Tags:starts intimate jason isbell fingerpicking ballad then explodes into epic cinematic anthem hans zimmer meets thomas bergersen meets two steps from hell massive cinematic strings inception braaam brass swells taiko drums military marching percussion 200 voice epic choir singing soaring ahh harmonies gritty raspy whiskey baritone vocal chad kroeger meets hetfield grit extreme two octave vocal drops on chorus hooks falsetto crashing to deep baritone heroic brian johnson to Country,Rockabilly,Folk,Gospel sassy raunchy tenor sax in verses only bobby keys brown sugar attitude meets lenny pickett snl swagger whiskey soaked dirty blues sax flirty cheeky stabs answering vocals sax brings barroom grit into the cinematic grandeur crunchy distorted guitar in chorus drops only tempo 80 bpm intro to 110 bpm epic main cinematic dynamics whisper to thunder
[Intro - solo acoustic fingerpicking, Jason Isbell style, 80 BPM, no other instruments, 8 bars] [Vocal tease - whispered, breathy, over fingerpicking] Oh... the crack of the tin... [breath inhale] [Tempo bridge - distant taiko drum hits begin, low cinematic strings swell, BRAAAM brass impact, epic choir AHH enters distant, tempo to 110 BPM] [Verse 1 - taiko drums driving heroic march, cinematic strings underscore, sassy Bobby Keys tenor sax stabs between vocal phrases bringing barroom grit into the cinematic grandeur, raspy baritone vocal] Three days out, the group chat lights [sax sassy stab cutting through strings] Maps and meeting points, bookings tight Half asleep but I can't sit still [sax flirty slide up] Something's coming, you can feel it begin Pack it light, leave the world behind [sax cheeky wink] Boarding passes, sunrise sky Brothers waiting on the other side [Pre-Chorus - strings rising in pitch, taiko drums accelerating, choir AHH building, BRAAAM brass swelling, no sax] And the world goes quiet, the engines hum You can hear him calling, you can hear him call Sun climbs high, the day pulls thin Hear him calling now, hear him calling now [Chorus - MASSIVE EPIC CINEMATIC EXPLOSION, full orchestral strings soaring, taiko drums pounding heroically, 200-voice choir singing in unison, distorted electric guitar adds edge, EXTREME two-octave vocal drops, NO sax] Oh, the crack of the tin (FALSETTO HIGH soaring with choir) Oh, the crack of the tin (DEEP BARITONE crashing with brass) That's when [Norwegian][hard] SUNN-der [end] is calling Sun stands high and the sky turns gold Doesn't matter where in the world we go Let the holiday in [Norwegian][hard] SUNN-der [end], hear him call He arrives at the crack of the tin [Verse 2 - taiko drums heavier, cinematic strings darker minor key, gritty guitar lurking, sassy raunchy sax UNLEASHED full attitude, Lenny Pickett SNL swagger, dirty blues whiskey fills weaving between vocal lines, sax slides bends and growls bringing dive bar energy into the epic landscape] Barasti sand and a salty breeze [sax growl bend] First one popping, down on our knees [sax dirty stab] Sun-warmed wall and a wooden chair [sax flirty slide] Pop the top and he's already there [sax cheeky reply] Up in the mountains where the bonfire glows [sax raunchy fill] Wherever the sun hangs overhead He arrives just like we always said [Chorus - EVEN BIGGER, more strings layered, choir doubled, drums thunderous, EXTREME drops, NO sax] Oh, the crack of the tin (FALSETTO HIGH soaring with choir) Oh, the crack of the tin (DEEP BARITONE crashing with brass) That's when [Norwegian][hard] SUNN-der [end] is calling Sun stands high and the sky turns gold Doesn't matter where in the world we go Let the holiday in [Norwegian][hard] SUNN-der [end], hear him call He arrives at the crack of the tin [Bridge - cinematic breakdown, only solo piano and distant choir AHH, intimate, vast space, building tension, no sax] Years from now we'll still remember this Not the places, but the way it is [Build-up - taiko drum rolls accelerating heroically, strings rising chromatically, BRAAAM brass swelling, choir AHH crescendoing, raw sax stabs locked with snare, sax fades before drop, 8 bars of pure cinematic tension] Hear him calling, hear him calling, hear him calling, hear him calling [Drop - APOCALYPTIC EPIC CINEMATIC EXPLOSION, full orchestra at maximum, taiko drums thunderous, 200-voice choir at full power, distorted guitar screaming, gang vocals shouting, EXTREME octave drops, biggest moment of the song, NO sax] Oh, the crack of the tin! (FALSETTO HIGH soaring with FULL CHOIR) Oh, the crack of the tin! (DEEP BARITONE crashing with BRASS BLAST) That's when [Norwegian][shouted] SUNN-der [end] is calling! Sun stands high and the sky turns gold Doesn't matter where in the world we go Let the holiday in [Norwegian][shouted] SUNN-der [end], hear him call He arrives at the crack of the tin [Outro - KEY CHANGE UP one full step, full epic choir at MAXIMUM, layered harmonies high and low, thunderous taiko drums, soaring strings, biggest moment of the song, do not fade, no sax] From the desert sand to the bonfire glow He arrives wherever we go It all comes down to the crack of the tin [Outro climax - full orchestra and choir together, gang vocals shouting, 200 voices at maximum, drums pounding heroically] Oh, the crack of the tin! (CHOIR AT MAXIMUM) [Norwegian][shouted] SUNN-der [end], hear him call! He arrives at the crack of the tin! [Final hits - full orchestra, taiko drums, choir, distorted guitar, big stops between each line, each hit louder] Crack of the tin! Crack of the tin! [massive orchestral cymbal crash, sustained chord with full choir ringing out, end]